Professor/Program Coordinator/Chief Enthusiasm Officer of Creative Advertising at Seneca College in Toronto.
The Creative Advertising program focuses on the strategic planning and creative concept development of advertising.
As a former award winning Creative Director working on national brands in both Canada and the United States helped to develop my personal passion for nurturing and motivating new young talent.
My idea of this comes from Karma and the following quote: “A life is not important except in the impact it has on other lives.”
I wasn't sure I would ever get into this blogging thing... ever. But the time has come and here is the home of my thoughts, advice, references, tales, passion and feelings on advertising and the life involved within.
When I decided this was to be a "new" method or additional "voice" to my teaching, motivating and inspiring for my students and friends, my first thoughts turned immediately to time.
TIME! Something we all value and never seem to have enough of. That will be my guide. TIME. I will use mine wisely and respect yours, making the post relevant and timely.
So welcome. Spend some of your valuable time here hopefully to learn, share, be inspired, and maybe even entertained.
The Fine Print
The views, opinions, conclusions and other informations expressed in this BlogSpot are not given or endorsed by Seneca College unless otherwise indicated by an authorized representative independent of any of the posted messages.
The contents within are given by Anthony Kalamut for use as inspiration and learning independent of specific subjects, courses or college requirements.
The Ad That Got Me Into This Crazy Bizness - Thanks to you Bill Bernbach
Is there ever enough advice out there for young creatives?
NO!
One of the things I say when asked why I got into teaching advertising was to deliver what I never got told or prepared for. That's a big part of the story but not the total story [read my profile].
Parts of this video are just one of many pieces that often never gets delivered in a lecture hall, but g-d knows we try. G-d knows it gets forgotten when we do.
Take note young AdLanders there is much expected of you.
Also read my interview with Scott Goodson of StrawberryFrog. [LINK]
Originally posted this November 9th, 2009 as second post simply titled "What Every Advertising Student Should Watch".
There are 2 parts to the posting was based on the original "portfolio show"
episode of the webcast FearlessQA from Alex Bogusky and Tiffany Rolfe at the time both creative forces at CP+B. I have
had over 24,833 visits to these specific post. Enjoy!
What should I put into my portfolio?
What order should it been in?
How many pieces should I have in my portfolio?
I'm a Art Director, does the copy matter?
Should it be about ideas, or is the execution more important?
If I got a nickle for every time I am asked these questions I could blog full-time, sip on 1981 Freemark Abbey Cabernet Sauvignon and smoke Fuente Opus X Robustos. All of these questions are standard issues, standard concerns and the standard of every young future "AdLander".
But as often as I offer my answers, trusted answers based on my years of reviewing books and making my frequent trips to agency Creative Directors to ask "What should my students have in their portfolios?" I get a different response every time. Whether its how many pieces, size, quality, types of work to include, Print vs. Out of Home, Broadcast YES or broadcast NO, interactive... you get the deal.
NOT once have I got the same answer let alone even get the same recommendations. Simply more questions.
So every year as I set my young AdLanders into gear on building their portfolios I start with one difficult to understand standard line:
"EVERYONE THINKS THEY KNOW WHAT SHOULD BE IN YOUR PORTFOLIO"
Recently, Alex Bogusky launched a weekly webcast called Fearless Q&A. Part Crispin Porter +Bogusky "news and views", part "self-promotion" but mostly very informational and very, very entertaining. Alex may have another career ahead of him. This past week (November 12th, 2009) Fearless Q&A turned its attention to the portfolio. Alex invited CP+B VP Creative Director Tiffany Kosel to share the stage and more important her thoughts on what makes for a good portfolio.
Tiffany Kosel has won awards at nearly every show out there, from Clios to Cannes Lions. She has worked on campaigns for BMW Mini, Virgin Atlantic Airways, Volkswagen, Burger King, Victoria's Secret, Jawbone and the "Truth" anti-tobacco effort, among others. After being promoted to VP Creative Director in 2008 she is the sole female among eight creative directors at the agency and directs up to 30 people on Old Navy, estimated to be worth a cool $200 million account for CP+B which she also led in the pitch. In June, Advertising Age named her as one of the "Women to Follow"in 2009.
The Fearless Q&A webcast offered some excellent insights and look into what Tiffany herself did to land the gig at CB+P. They both answered more questions then expected, and seeing this episode received more questions the any other episode to date.
It was an excellent hour of conversation, the beauty of Twitter and the Justin.Tv it allows for a two-way conversation, live questions as the show goes on. Alex and Tiffany did there best not to just answer questions, but to show some samples of "what makes a idea great". I was proud that one of my students Ryan Dzur get his book shown and mentioned near the end, sadly they never got to give any feedback... the show was over too soon.
One of the questions submitted by my students was need for a portfolio if you are going into account management or strategic planning. I have crafted a unique approach to this type of portfolio over the years and I wasn't surprise that both Alex and Tiffany agree it is more and more important as "creative" is needed in all areas of business. Suits and Planners need to bring more to the table then ever before. Highlights of the conversation... the basics:
Show your craft and show your skills
Be unique, show you can think, find the "difference" in your product/client/brand"(the Graham Crackers are an excellent example)
Interactive and ambient are critical, show that you know what is fresh and what connects
Makes sure that what you have are "Big Ideas" not just one-offs
It really doesn't matter if it's a $10 book or $200 case, it's the work that matters
Show who you ar, it can be more then just your advertising ideas.
But once it was all over (and too soon I might add), there are still a million questions... but really it's all about "Big Ideas" and "Selling Yourself".
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